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In any survey of the Slav drama that of the Czech peoples, whose national consciousness has so fully reawakened, must not be overlooked.

A Czech theatre was called into life at Prague as early as the 18th century; and in the 19th its demands, centring in a sense of nationality, were met by J.

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StepinekW. Klicpera and J. Tyl ; and later writers continued to make use of the stage for a propaganda of historical as well as political significance. Works which have reference to the drama of a particular period or of a particular nation only are mentioned separately.

Works which deal with special authors only have been intentionally omitted in this bibliography, as being mentioned in the articles in the several authors. Butcher, London, ; transl. Baumgart, Aristoteles, Lessing, u. Bulthaupt, Dramaturgie des Schauspiels 4 vols. Leipzig, ; L. Paris, ; W. Paris, ; J. Freytag, Die Technik des Dramas 5th ed. Die dramatische Poesie Werke, x. Paris, ; G. Cosack Paderborn, ; G.

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Martin, Essays on the Drama London, ; K. Meredith, Essay on Comedy Westminster, ; R. Prolss, Katechismus der Dramaturgie Leipzig, ; H.

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Rotscher, Die Kunst der dramatischen Darstellung 3 vols. Literatur Berlin and Frankfort, ; P. See also, for encyclopaedic information, W. Davenport Adams, A Dictionary of the Drama, vol. London, ; C. The drama of the Eastern nations is generally treated in: The following works deal with the Indian drama: